Our weekly scoop on anything and everything that happened last week!
Hira Waqar- Being a Superwoman
Dr. Hira Waqar of Dental Smiles clinic has set a gold standard for working mothers as she strives to achieve as much as she can. She started out as a dental practitioner alongside her husband and decided to take time off as she became the mother of three young children. Still practicing dentistry, Hira has now expanded her horizons to include a side business of making and selling scrumptious sweet treats at her online page: Hira’s kitchen and is avidly pursuing her true passion, makeup.
- You clearly play many roles in your life (mother, wife, entrepreneur). Do you ever feel that one role overshadows another and if so, how do you cope?
we play many roles in our daily routine. I never let any role overshadow another. I stick to a particular time table according to my kids’ biological clock. I am a mother before anything else. I fulfill all of my responsibilities without seeking any help. I feed my children, I bathe them myself, put them to sleep, play with them, make sure their socioeconomic requirements are fulfilled; at the same time, I’m responsible for their behavior and their upbringing. In the same way, I am a good wife. I take care of my husband and his needs; looking after his home in his absence. We run a private Dental practice together and I used to go there full time previously, but now only by appointment during afternoon hours when my kids are asleep. In the evenings I look after my children and complete my baking orders at the same time. So I’m a multi-tasker by nature. I can’t sit idle.
- What inspired you to pursue a side business in baking?
Well, my daughter inspired me the most in doing Baking as a side business!
I’m a keen learner and a good baker. I live in a joint family system so family bonding could never be better than it is at the dining table. My husband and daughter have always appreciated my baking and motivated me to pursue it as a side business.
- What has been the most challenging part of running your business from home?
Since I live in a joint family we have a joint kitchen. Ergo the main challenge I face at times is that my orders shouldn’t coincide with family timings; so no one gets disturbed by my work. I also have to do the tasks unrelated to baking myself: from buying boxes to getting stickers, and printing menus. At times it can become difficult to drive around with 3 kids. But the Almighty gives me the strength.
- What were some of the obstacles you faced in setting up your business and how did you overcome them?
To be very honest I didn’t face any obstacles. I was thinking of starting my own business one day and I asked my husband to make me an online page. He did so and immediately I got my 1st order of cupcakes and a Brownie pizza. The next day I prepared my order but I didn’t have any boxes or logo stickers so I rushed to the market and bought boxes from a friend and got the stickers of my logo printed. I successfully delivered my 1st order. The very next day and Alhamdulilah the series of orders started. It was so quick that I didn’t even get any time to rethink, the response to my items turned out to be unexpectedly good.
- As a mother of three, what are some of your tips for other working women?
Hard work, consistency, patience and most of all faith in Allah. Believing in your capabilities is a key feature in running any successful business. Don’t ever underestimate yourself! You have power over your mind.
- Having a hectic schedule can be tough. What are some of the ways you cope with having too much work on your plate?
Don’t ever get panicked or think of your duties as a burden. Just love yourself and love your work. That way you will find joy in everything you do, despite being tired.
- What is your favorite item off of your own menu?
My daughter, her friends and most of my clients like my Brownie pizza. However, I personally enjoy my fudge brownies more, especially with a cup of coffee.
- Who do you feel serves as a role model in your life and why do you look up to them?
The One and only role model in my life is my Mom!
She is a true example of selflessness and untiring struggle and above all, she is a good human being.
- There are so many businesses out there. What motivates you to stick to baking and will you be expanding into other things?
Life needs changes and experiments and so do I. Since I couldn’t limit my spectrum to dentistry, I branched out into baking which relaxes me and gives me peace of mind. However, makeup is my true passion. I have taken many courses and I am thinking of starting it as a new venture early next year Inshallah.
- According to you what is one skill an entrepreneur must have?
An entrepreneur must believe in herself, your confidence and will power can do wonders for you.
Why are we all Hooked to see Imran Ashraf and Neelam Munir as an Onscreen Couple?
Love stories never go out of fashion. After all, the audience likes a good and real love story. “Kahin Deep Jalay” casting Imran Ashraf and Neelam Munir has been creating the right buzz from the time its promos came out. Written by Qaisra Hayat, “Kahin Deep Jalay” showcases Imran Ashraf as the conventional hero and stars Neelam Muneer as his love interest.
Right from the beginning, the leading lady Rida (Neelam Munir) was introduced as sweet, honest and sincere. The role of Shamila is being played by Nazish Jahangir who possesses a wicked and jealous mindset. She is disliked by her own family due to her carefree and cunning nature. She feels extremely insecure from Rida as she is always Fahaam’s (Shamila’s Fiance) top priority. The plot further unfolds and Zeeshan (Imran Ashraf) enters the frame; a young man from a well-established background becomes deprived as a result of fraud actions by his father’s trusted employee. Resultantly; in a series of dreadful events, he becomes bankrupt and loses his home, property, and parents too. The episode ends on a cliff hanger note, leaving the audience as a curious cat hooked to the next episodes.
Here are the reasons why just like all other dramas with the exceptional storylines from Imran Ashraf, this drama also cannot be missed.
Imran Ashraf, hits after hits, do we need to say anything more? He owns his character completely; right from the first shot, he has our heart. His pain and agony translates so well on screen and connects with the audience instantly. Over the years, he has earned the audience’s credibility with his brave choices and hard work. Let’s not forget, he changed the concept and perception of a mainstream hero with his character Bhola.
Neelam over the years has worked hard to be where she is today. Be it TV or films, the actress is on a successful spree of delivering back to back hit projects. Her astonishing range of becoming a shapeshifter with impeccable performances from “Dil Nawaz” to Dil Mom Ka diya” and now “Kahin Deep Jalay” is the testimony of her sheer talent. We are in awe of her, always!
What a drama without intense romance? No matter what we do, we cannot take the elements of love, care and empathy out of our lives or even from our dramas.
The crackling chemistry between the two as seen in the promos surely got many hearts racing. Whenever such a thrilling chemistry and a couple is seen on screen, people always ecpect something new and out of the box. Including us, fans are really excited to watch both the stars together. A lot of events happened in the first episode; it would be interesting to see what Imran and Neelam bring to the table for us. Their presence as a couple is definitely a big reason to watch “Kahin Deep Jalay”.
In a big project with strong lead actors, where each actor plays an important part to take the narrative forward, it is very important for the actors to be good. And they are! Ali Abbas, Saba Faisal, Saba Hameed, Nazish Jahangir, Madiha Rizvi, Ali Ansari and Hammad Farooqui. We are keen to see how their roles would impact the overall aura of the drama.
With such flawless actors as an onscreen couple, emotions are raw, real and relatable. We hope that with a combination of a wonderful script, good actors and amazing director, “Kahin Deep Jalay” fulfills to be another blockbuster by Imran Ashraf and Neelam Munir.
Natasha Jozi- Maneuvering Performance Art to Show the Darker Side of the Death Penalty
Natasha Jozi- whenever the name pops up, only one word comes to our mind and that is art or to be more precise, performing art. She is a visual thinker, an artist and also a writer interested in the performative self, collective experience, and Eastern philosophy.
Talking about her vast experiences, she has performed and exhibited her work at International Festival of Video Art 2014 (Venice), MagnanMetz 2014 (NYC), Index Art Center 2014 (NJ), PPL 2013 (NYC), DCCA 2013 (Delaware), LAABF 2013 (NYC), La MaMa 2013 (NYC).
In 2017 Jozi founded “House”- an independent initiative that works towards generating discourse around performance art in Pakistan.
We recently came to know that Natasha is curating the show ‘We’ve Been Waiting For You’ hosted by Justice Project Pakistan (working to improve the justice system of Pakistan), happening on 10th of October (“The World Day against Death Penalty”) at Bari Studio and our intriguing self wanted to dig into more details and here is what she had to share about her showcase.
- Tell us a little about your partnership with JPP and what do you think about Pakistan’s justice system?
It has been great working with Justice Project Pakistan as a partner and especially coming along with an understanding of what they do in terms of their work and what they represent as an organization. I am working with them under the perspective of bringing an art exhibition together. The partnership has been quite interesting in terms of what art does and what JPP does and how does that come together? I feel the complexities of the justice system are always very difficult for a common man to understand or relate to.
I feel JPP is trying to bridge that gap between the justice system and the complexity that it comes with and that is very similar to what I do under House Ltd. So, I expect that partnership with JPP shall be very interesting because we’ve talked about themes, about ideas and how performance art can be used as a vessel to represent themes that JPP works on.
- You’ve worked both in Pakistan and abroad what difference do you feel in the sense of how art is valued here and abroad?
I would talk about this in terms of two perspectives. One is as an artist and the other as a viewer. As a performance artist, I’ve experienced that there was initially not much of an understanding of the medium in Pakistan.
And I also feel that in terms of the value of the medium, since a lot of the work that is being produced in Pakistan has an element of becoming a product that you can actually monetize on or you can buy or sell. But performance art is something that cannot take the shape of a product because it’s an experience. It happens for a short period of time and then it’s over. So, it’s very ephemeral in that sense.
In the international art market, artists are delving with themes that cannot be put together in a form package that you can buy or sell. It’s very important to realize that the value of art is beyond buying or selling it, but also, to experience it.
As a viewer, I really enjoy some of the artists’ work in Pakistan but I also feel like there is a lot of potential in young artists, the work that they’re doing where they’re not allowing the market or the business to affect their process. I feel it is very important for an artist to liberate themselves from the fear of value is equal to money because we’re living in an age where innovative ideas are of great significance? I definitely feel that with the wake of the internet, a lot of artists are now traveling abroad and are coming back and just sort of exchange that is happening.
Also, in Pakistan, a lot of times we look at something from an exotic lens or we try to mimic or reproduce what’s being done abroad. I don’t really think that is of value. But at the same time, I definitely see that contemporary artists from my generation are trying to create a more balanced or a more contextualized relationship with what’s happening in Pakistan and what’s happening outside Pakistan.
- What do you think about Justice Project Pakistan?
I was not familiar with JPP before I was contacted by JPP for this particular project. Once I got to know about their work, I met the team and I saw the projects that they have been doing in the past. I was sort of intrigued, and a little amazed to see a human rights organization that is so much invested in the people and what is happening in their lives.
I feel that JPP is trying to bring awareness and spark conversations that are around the justice system. I feel why such organizations are so much needed is that they try to create a more humanize and understandable way of looking at the sensitive issues that people are facing in Pakistan. It is great that they are trying to use disciplines that are beyond just law and trying to reach out to a wider audience. It’s a pleasure to work with them.
- How has been your experience of curating performances for ‘We’ve been waiting for you’?
The curatorial experience for me is not just about curating an exhibition as an organizer. For me, it is sort of coming together and trying to create an experience that is long-lasting. I’ve been working with the artists under the initiative that I run called House Ltd. and I have cultivated a relationship with them. So, every time we come together, we go into a deep-rooted conversation, look at what we are doing and try to unpack not just the themes but, also how can this exhibition contribute to the larger discourse of performance art in Pakistan.
And so for this exhibition as well, the ideas that we were dealing with were very real. I spent a lot of time just having conversations with the artists and discussing the craft of performance art.
A lot of the work that we do for performance art is not rehearsed. Thus, it is very authentic as an artist and as a curator to go into that space and to get involved in.
- With what kind of expectations should people come to this event?
The first thing that I would definitely like to say is that space and the venue that we’ve selected for this exhibition, Bari Studio, is amazing for performance art. The moment I stepped into Bari studio I fell in love with it.
The audience would definitely experience something that they have never seen before in terms of venue and how it’s used.
Also, we are having 10 performances in one venue. It’s going to be a really charged experience for everybody where all of the artists are dealing with themes around the death penalty and doing performances that are very authentic and very raw. The materials that the artists have used in the performances range from, real bones to bricks to sand. Going from one performance to another where all of these have been curated in relationship to one another, each performance will be experienced individually, but then all of them coming together is going to have an impact of its own.
- What is art for you?
That is definitely a very loaded question. I would say for me art is about an experience, what you experience when you look at something. It is not just a visual experience, but a very sensory experience. That is why performance art is a medium that I’m addicted to.
It cannot be confined. I definitely have a lot of reservations about the way the market dictates the production of art. I don’t think that one should allow the market to dictate what the artist is going to make or what art should be because art is definitely about looking at life and looking at what is around you from an unfazed way.
Art can actually supersede or can reach a point of impacting a larger audience and can eventually become universal and transcend space and time and location.
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