CAIRO: The in-flight magazine of Egypt national airline apologised on Tuesday over an interview with actress Drew Barrymore that sparked an online furore, with many people tweeting their doubt over its authenticity.
The article, riddled with misspellings and grammatical errors, was led with a description of Barrymore as “being unstable in her relationships” and quoted her as saying that motherhood was “the most important role in my life.”
It went viral after it was spotted by a passenger on EgyptAir last week.
While initially the airline stood by its interview, it has now apologised for the error, in a statement, which said it has an agreement with Al-Ahram advertising agency, which edits articles and interviews for the Egyptian carrier’s in-flight magazine, Horus.
According to EgyptAir, the agency is “totally responsible” for the magazine’s editorial content.
The editor-in-chief of Horus magazine and the head of Ahram advertising agency which publishes it released a letter on Tuesday suggesting the problem lay in translating from English to Arabic and back again.
“We apologise for any misunderstanding that might be interpreted as an offence to the great artist,” they wrote.
A separate statement by the advertising agency said the introductory paragraphs of the purported interview were not written by the interviewer, Aida Tekla.
The bylined journalist, Aida Takla, tweeted on October 3 that the magazine may have heavily edited her piece but “this doesn’t negate the fact that the interview with Drew Barrimoor which took place in New York is genuine and far from fake.”
This doesn’t negate the fact that the interview with Drew Barrimoor which took place in New York is genuine &far from fake.
As far as Drew we interviewed her several times I saw her grow up before my eyes she is charming and talented.@EGYPTAIR
— Aida (@Aidatakla1) October 3, 2018
The editor and publisher did not directly answer claims the interview had been fabricated but said all material submitted in a foreign language is translated into Arabic and then into English.
EgyptAir’s inflight magazine has Arabic and English sections, but translations are often poor and English-language articles are often filled with errors.
US press reports have quoted Barrymore’s representatives as denying any such interview took place, with some suggesting the author must have based her article on misinterpretations of a press conference.
Barrymore has yet to issue an official statement on the interview, but Al-Ahram said a representative of the actress contacted Tekla about the interview to say that the American actress never spoke to Horus.
The representative did not know that Tekla, a senior member of the Hollywood Foreign Press Association, contributed to Horus, said the agency.
The article present Barrymore in problematic light saying that Barrymore had failed relationships because her parents divorced.
“It is known that Barrymore had almost 17 relationships, engagements and marriages” psychologists believe that her behaviour is only natural since she lacked the male role model in her life after her parents’ divorce,” Tekla wrote.
In another passage, she quoted Barrymore as being pleased with recent weight loss after having a second daughter.
Another quote describes Barrymore as celebrating women’s achievements in “the West” because they handle tasks men cannot.
“Women exert tremendous efforts that men are incapable of exerting due to their numerous commitments and obligations,” the article quoted Barrymore as saying.
Music, Dance and Mehwish are Chhalawa only saving grace
Chhalawa is a story of a very traditional family. Chaudhary Rafaqat (Mehmood Aslam) has two daughters and a son. The elder one is Zoya (Mehwish Hayat) who went to city for higher studies and now wants to marry the love of her life Sameer (Azfar Rehman) whom she met during her studies. His second daughter Haya (Zara Noor Abbas) is a fired up girl, who usually lives in her own fantasy world of films, desperate to fall in love and loves to dance in her room on Lollywood songs. His son Haroon (Ashir Wajahat) is another character, blunt slightly manner less but loves his sisters.
From here, the age-old story begins that Chaudhary wants his daughter Zoya to marry his nephew, as it is a tradition to marry girls in the family, Zoya resists and conflict begins.
The first half of the movie is still bearable where at least some kind of story is developing, after interval; it nosedives and leaves the audience wondering what is happening. For example, first song makes sense but second was there because someone wants it to be. No effort was made to put some sense in it.
The story is simple, it is told several hundred times before, both in Bollywood and in Pakistani Cinema, and then extra level of creativity is required to make it interesting. Unfortunately, that is the biggest issue with Chhalawa. Scenes lasting for several minutes, borderline jokes and most of all, Zoya’s letters to her mother were a big question mark.
With a star like Mehwish Hayat, if the movie is still not able to pull the audience in, then to an extent it is a crime.
Wajahat Rauf’s Chhalawa is particularly disappointing for many, because people considered it a third time charm. Surprisingly, all the actors in the film performed very well despite having a weak script and practically limited room to perform.
The biggest surprise is by far the Zara Noor Abbas who played Haya, Mehwish’s younger sister. Zara turns out to be someone who handles her comic timings well, she is sharp and witty, and yet cute enough to keep the audience engaged. She danced quite well in couples of scenes. Ashir Wajahat also performed better than expected, although his character did not have much to do except for a scene or two.
Although, Azfar Rehman looks good on screen, however I am unable to understand his character, at one time he wants to commit suicide, then he plans to win Zoya’s father heart, then he just runs away when she asked him and without making a scene leaves her when she asked him to do so.
Mehmood Aslam in his role is picture perfect until the climax where he insisted on carrying out his daughter’s Nikah after he was shot.
Mehwish Hayat as usual shines bright even in this very limited role. She did well when she was playing a lover, arguing with her father, running away from home and coming back and again succumbing to her father pressure, but her biggest wins are two songs i.e. ‘Chhalawa’ and ‘Chiriya’ where she danced her heart out. Wahab Shah’s Choreography was engaging and full of fun, that is the only positive that you can come out with in the entire saga of over 2 hours.
Only thing that can save this film is music; Shiraz Uppal did very well giving not one but two already hit songs to Pakistani Cinema.
This is the weakest ever Mehwish Hayatfilm by any standard, with films like Na Maloom Afraad, Actor in Law, Punjab Nahi Jaungi the superstar stumbles at the last ball of the over.
You can opt to watch Chhalawa if you like song and dance numbers and that too from Mehwish Hayat and if you are ready to leave your brain outside the cinema hall.
Escape Through Art II curated by Mahaa Malik. Featuring the brilliant artists from all over Pakistan!
I Wanted To Come With A New Story This Time
Wajahat Rauf is a well-known Pakistani director, actor, screenwriter, producer, singer and host. He has the credit of many firsts of Pakistan on his shoulders from becoming the head of first youth-based entertainment channel AAG TV to the director of first Pakistani web series Enaaya starring Mehwish Hayat, which was shown on Eros International last year. Wajahat has established his own production company Showcase Films under which he has produced two successful comedy feature films Karachi Se Lahore (2015) and Lahore Se Aagey (2016) and over 25 television dramas. He has also started his youtube channel ‘Showcase Tv’ on which he is hosting a very popular satirical/comedy show ‘Vice Over Man’ in which he invites top notch showbiz celebrities of Pakistan and ask them some witty and funny questions. Being a staunch music lover, Wjahat has also produced many music videos; the recent one is Talaash also featuring his son Aashir Wajahat.
His upcoming film, Chhalawa, releasing on Eid al-Fitr, is a “lighthearted love story” that is directed, produced and written by him. We talked to this multi-talented man from the idea casting and storyline of his upcoming flick.
We were expecting Karachi Se Lahore 2 this year but instead you have come up with Chhalawa? How this idea came into your mind?
I had this idea in my mind for last three to four years. I discussed it too with to a few people. Then I shelved it for some period as I became busy in Karachi Se Lahore 3. I wrote the script of KSL3 and did some rehearsals but in the end I thought that it was going to be exactly as same as my first two movies. So, instead of presenting same type of story that is about road trip and comedy for even the third time consecutively, I thought it was better that I make a family rom-com film. Chhalawa is a family based story focusing more on sibling and father-daughter relations including romance and comedy.
You choose the super stars of industry as the heroines (female lead) but avoid casting a super star as heroes (male lead) of your films. Any big reason?
I think if you want to play in main stream cinema, one lead (from hero and heroine) of the film should be stronger, bigger and larger than other. It can be a female lead or male lead. Cinema needs a pull for the audience as ticket prices are high up to 800. So the factor of big names like Mehwish Hayat and Saba Qamar attract cine goers. So you need to have a one big star in a movie to pull the audience. I might change this formula in my next film where I cast a big name as hero (make lead) and a new comer as heroine (female lead). But what I think is one big star is necessary or enough to pull audience towards cinema or for a successful film.
It doesn’t mean that film industry will not welcome new comers. My whole career is based around and introducing new talent.
You have shown a Punjabi culture in the film. Where have you mostly shot the film?
Surprisingly, most of our filming is in Karachi and Sindh. Locations include a haveli in Badin, and many more places of interior Sindh. We had our shooting in Punjab as well but for a few days only.
How many songs and dances in are in the film?
There are four songs in the film, in which two are dance based while other two are montage based. Whab Shah has choreographed the dances. He has done an excellent job. One dance number has been included in the trailer and second one is Chirya.
Lasltly, tell us about your character in the film. We have not seen any glimpse in the trailer? Is it a surprise? My role? (Laughs) I am actually not fond of acting but there is a surprise about me in the film.
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