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In conversation with Azfar Rehman

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WHEN DETERMINATION IS THE RULE OF THE GAME

Azfar Rehman is one of those male actors of Pakistan, who because of their director’s actor qualities, become the foremost choice of many projects. Born in Karachi to a Kashmiri family, Azfar started his career as a model when he was 16. After studies, he joined an exclusive English monthly of Pakistan as a journalist. He got his TV break as the host of a celebrity talk show in 2006 called ‘Spotlight with Azfar Rehman’, before turning to acting. Serials like Baityaan, Noor Pur Ki Rani, Dugdugi, Ladies Park, Sitamgar, Bunty I Love You, and most recent Aatish have given him much critical acclaim and praise from the audience. He has also gained label of film star by doing a cameo on ‘Manto’ and a supporting role in ‘Pinjab Nahin  Jaongi’ and now playing lead in an upcoming eid release ‘Chhalawa’. He is very content to work with director like Wajahat Rauf and actors like Mehwish Hayat and hope that this family entertainer will compel audience to come to cinema.

Here is the chat with this hardworking actor about his association and expectations from Chhalawa.  

Now you are a lead in Chhalawa. Are you excited or nervous?

To be honest, I feel a little nervous with this achievement as I believe I must not disappoint my fans and audience. Audience of film pay first before get entertained. So I think it is my responsibility that I should entertain them to my full efforts.

Have you made some extra efforts to become a film hero?

I have been coming as a hero or main lead in dramas for almost last 10 years, but the concept of a hero in a film is something very different. In film, you have to dance well and do fighting and action sequences. I had to go through a new whole training process for this film. 

From trailer, Chhalawa seems to be portraying Punjab. What is your character and have you also spoken Punjabi in film?  

My character in the film is of Urdu speaking boy, while both the heroines belong to Punjabi family. I can’t reveal much but there is full Punjabi tarka in the film.

How much you have danced in the film?

I have two songs on me, full with dance. I hope people will like them. I was a bit tense in beginning but I practiced and got extended training of dance. It was a very refreshing experience. Whab Shah was our choreographer. He has done tremendous job.

How was the experience of working with Mehwish Hayat?

Mehwish is an amazing person. We are family friends for last 11 years. So, being friends, our comfort level has worked a lot in this film. It is also a fact that she is much senior than me in experience as Chhalawa is her seventh and mine is third film, but she is very accommodating and supportive. You learn a lot from her. I never felt that I was working with such a big star.

How was working with Wajahat Rauf?

He was the most supportive in the whole team. He almost spoon feed us everything. I found him very distinctive with entirely different sensibility from the rest of the film makers of the country. His style is slightly westernized and mind-set is very open. Even Mehwish found him very different though she has a quite a good experience of working with many directors. She used to say sometimes during shoot that if she was doing film first time.

Do you think that you have done justice to your role?

I think I did that role quite easily as I am almost the same in my real life. So, I didn’t need to act very differently. There were some emotional scenes (like some heart breaker) where I really had to act.

Is there any specific character which Asfar Rehman wants to do in his career?

What I feel that someone (a writer) should think or design a specific character for me. It should be a character which they think that no other actor can do better than me. I think a good character is a team work or combination of writer, director and actor. A writer creates and develops a character, which is carved by a director for screen and an actor put some soul and life in it. Every legendary character in the history of film has these three forces behind it.

In what genre of films you like most to work in?

I want to do a serious love story, which is a little less depressing than Devdas and much more close to Qayamat Se Qayamat Tak and Mien Ne Pyar Kiya. It should be something like a sheer fantasy love story. I want people to come to cinema to enjoy quality entertainment; laugh, get emotional a bit, listen to good music, watch dances and go home with a light and happy heart.

What do you prefer? Television or film. In Pakistan, we can never leave television as there are not many films being made here. So, to keep our regular earnings coming, we have to continue television and in my case I say yes to good scripts

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Meesha Shafi releases HOT MANGO CHUTNEY SAUCE

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A Canadian Pakistani Artist, a cultural and feminist icon and a multidisciplinary artist, has released her latest single, Hot Mango Chutney Sauce. Written and performed by Shafi herself, Hot Mango Chutney Sauce is an electro pop dance composition with an unabashedly original desi sound.

 

While the mood of the song is joyful, it cleverly employs irony and sarcasm to question an unfortunate yet comic facet of urban Pakistani society: the rampant obsession with consumerism and the inability to understand ourselves beyond the facade of “wealth” or “success” we put up in social settings. The South Asian artist celebrates her roots and explores why we express our identities by acquiring and flaunting material possessions, instead of nurturing our values and vocalizing principles we believe in.

 

“The idea of writing this song came out of a period of reflection on the rat race we often find ourselves in, where much of the focus is on what people own instead of who they are. It’s a pitfall that is particularly hard to avoid in an industry literally called showbiz, so coming to this realization has been fascinating” said Meesha Shafi.

 

Blending English, Urdu and Punjabi, Meesha speaks colloquially and playfully integrates quintessentially Pakistani idioms and tongue-twisters in her lyrics. “Ultimately, the song pokes fun at our collective identity crisis, which is only worsened by our colonial hangover as many of us have begun to realize. Even within the race, we’ve come to attach a higher value to aspects of pop culture that have no roots in Pakistan or the wider South Asian community. So whether it was cultural references in the lyrics or the visual translation of the track into a music video, I aspired to create something uniquely us – desi and proud”, said Meesha Shafi.

 

Abdullah Siddiqui, who produced the song said: “The themes Meesha was working with on this song really resonated with me because I’ve personally begun to feel like culturally there’s an obsession with keeping up appearances, and sacrificing authenticity in the process. The lyrics really excited me and amused me, especially because they are in such stark contrast to the kind of introspective and sombre work Meesha has been known for, but I’m so excited that people finally get to see this side of her. I had the time of my life producing this track to reflect the spirit in which Meesha wrote it; brash, maximalist, super-charged and unapologetically fun. We tried to create a representation of South Asian motifs that felt completely fresh yet authentic, and I really hope that comes across.”

 

The much-awaited music video has been co-directed by Meesha Shafi and Awais Gohar. The art direction was led by Meesha Shafi and Hashim Ali. The music video stars both Meesha Shafi and Abdullah Siddiqui along with Eman Suleman, Zara Peerzada, Baemisaal and Rubab Ali. To make things even more exciting, the anonymous Instagram sensation known only by her handle ‘Swineryy’ also features on the music video as one of her most popular avatars.

 

The music video for Hot Mango Chutney Sauce can be viewed at: https://youtu.be/aQ2oiqyEzCE.
The song is now available on all major streaming platforms.

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Filmwala Pictures Is Back With a Historic Drama Masterpiece Khel Khel Mein

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The dynamic duo of Pakistani film industry, Nabeel Qureshi & Fizza Ali Meerza, is all set to hit Pakistani Cinemas, yet again with their upcoming film ‘Khel Khel Mein’.

The multi starrer Feature Film will have Sajal Ali and Bilal Abbas in lead roles, along with veterans Javed Sheikh, Samina Ahmed, Marina Khan & Manzar Sehbai. The music of the film is composed by the maestros including Shani Arshad, Shuja Haider & Asrar Shah. This heart-warming drama depicting a youthful take on historic events, will be releasing in cinemas very soon.

The motion poster of the KKM looks promising and fans are eagerly waiting to witness another brilliant piece from the enthusiastic and talented pair, who always tries to give something new in their projects.  The lead cast, Sajal Ali and Bilal Abbas Khan has worked together before in television drama serial ‘O Rangreza’. This is their first feature film together.  

Fizza Ali Meerza, CEO Filmwala Pictures says about her new venture, “Khel Khel Mein is our take on telling history in a fresh and engaging way to the youth so that it can be learned from and remembered. We hope the viewers will resonate with the story and come out of the theaters feeling more entertained & informed.”

The director of Khel Khel Mein Nabeel Qureshi expressed his delight as, “We are very excited to bring Khel Khel Mein to the screens; the entire team has worked immensely hard to create the film and, we hope that people will love it and learn from it.”

About Filmwala Pictures

Filmwala Pictures is a Pakistani Film Production Company based in Karachi founded by Fizza Ali Meerza. The production house has some of the biggest Pakistani hits under its banner including; Na Maloom Afraad, Actor in Law, Na Maloom Afraad 2 & Load Wedding along with the upcoming film Quaid e Azam Zindabad.

Social Media Links:

Facebook: https://www.facebook.com/kkmthefilm/

Instagram: https://www.instagram.com/khelkhelmein2021/

Twitter: https://twitter.com/khel_khel_mein

YouTube: https://www.youtube.com/khelkhelmein

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Junaid Khan Highlights A Grave Issue Of Society In His Latest Video

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When it comes to Pakistani performers, who can both act and sing, Junaid Khan comes into mind so quickly. We have witnessed his acting skills recently in dramas like Kashf, Muhabbatein Chahtien and Khuda Aur Muhabbat but his first love music, with which he stared his career as Call band, recurs so often. 

Junaid Khan has released a single Taqdeer this eid, which unlike a usual happy song comes out on eids, highlights the grave issue of violence, especially domestic violence which is taking place in almost every household, every class in one way or another. According to singer this video is dedicated to all the victims that have gone through and keep going through all forms of abuse.

About the song and video, Khan pours his heart out, “What I am presenting to the world is not just a song but an ocean of immense emotions. A very grave issue that I lose sleep over.”

The Nishaan singer further says, “When I see and hear abuse, suffering and pain; it takes me into a very dark space. The evil that is spreading so fast in our own society and all over the world, has suffered humanity in the hands of murderers, rapists, abusers and the list just goes on.”

How someone has to suffer in the hands of an oppressor who only knows how to control and torture another human being, he adds.

The Taqdeer is written and composed by Junaid Khan while the video is directed by As-haar Azmat featuring Talat Mahfooz Butt, Shahreen Iftikhar, As-haar Azmat along with Junaid Khan as lead. The track has a grunge-rock feel in it as the video is shot in a dark background to depict the gloom and pain of the theme. Junaid has proved both his singing and acting skills in this five and half minute’s video which carries a powerful message through a conceptual art. 

According to the singer, the video emphasizes how the Power, control, money and greed can destroy generations but the message that he wants to send across to the world through this song is with bad comes good and with suffering comes ease and that karma will come around.

Elaborating more about the video, Khan says, “The oppressors are so strong and blinded by their own motives that are larger than other human lives. And there comes a point when the oppressed knows nothing better than accepting this painful life as fate. Taqdeer! And on this very notion my song, my voice and my emotions came to life in the form of this song.”

It is true that cases of domestic violence take place every day. Some get swept under the carpet while some come out in the open. The authorities must need to give importance to every violent act taking place anywhere in the country.  

According to a report published by Sustainable Social Development Organization (SSDO) in March 20201, The cases of violence against women and rape in Pakistan were doubled in the last six months of 2020 as compared to the first six months of the year. According to official data analysis, domestic violence (1,422 cases) and violence against women (9,401 cases), had high occurrence throughout country.

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